Friday, February 05, 2010

30 Words on Denis Johnson

Denis Johnson



for Jim Dikel




"There isn't an American voice I love listening to more than Denis Johnson's"-Michael Herr


Denis Johnson

Biographical information from enotes.com:

Johnson was born in Munich, West Germany, to Vera Childress Johnson and Alfred Nair Johnson. His father worked for the United States Information Agency, which took the family overseas to Tokyo during Johnson's childhood and to Manila in his adolescence. Johnson completed his high school education in Alexandria, Virginia, in 1967. Already an aspiring writer, he applied to the University of Iowa, well-known for its creative writing program, where he completed his bachelor's degree in 1971 and a master of fine arts degree in 1974 under the tutelage of poet Marvin Bell. Johnson published his first book of poetry, The Man among the Seals (1969), while still an undergraduate. After leaving Iowa, Johnson taught briefly at Lake Forest College in Chicago but, finding academic life dissatisfying, he resigned and left for Washington, where he worked odd jobs in the Seattle area. After the publication of his second poetry collection, Inner Weather (1976), Johnson sought treatment for alcohol and heroin addiction. He subsequently worked as a teacher at the Arizona State Prison in Florence. After receiving a fellowship from the Fine Arts Work Center in Provincetown, Massachusetts, in 1981, Johnson resettled in Cape Cod, where he completed The Incognito Lounge and his first three novels—Angels (1983), Fiskadoro (1985), and The Stars at Noon (1986). During the mid-1980s, Johnson relocated to Gualala, California, and later found a new home in northern Idaho near the Kanishu National Forest in 1989.

Johnson maintains a strong interest in contemporary music and film and has acknowledged the influence of musicians Bob Dylan, Eric Clapton, and Jimi Hendrix, and painter Edward Hopper. He has received considerable recognition for his writing, including a National Poetry Series award for The Incognito Lounge, an American Academy Kaufman prize for Angels, the Whiting Foundation award in 1986, a literature award from the American Academy of Arts and Letters in 1993, and a PEN/Faulkner award nomination for The Name of the World (2000).

Complete Biography:

http://www.enotes.com/contemporary-literary-criticism/johnson-denis


FICTION:


Nobody Move '09

From The New York Times: Arts, Briefly
Channeling Noir, Dickens-Style
Compiled by Ben Sisario:
Published: June 11, 2008

Last year Tree of Smoke, a sweeping novel by Denis Johnson, about the Vietnam War, won the National Book Award for fiction, and this year it was a finalist for the Pulitzer Prize.But Mr. Johnson is not resting easy. Beginning with its July issue, which arrives at newsstands on Friday, Playboy will publish his next novel, Nobody Move, in four monthly installments of 10,000 words each, to be written on deadline each month through the October issue. The magazine described Nobody Move as a hard-boiled noir in the style of Raymond Chandler and Dashiell Hammett, but Mr. Johnson said he was also inspired by an earlier writer. “I’ve always admired Charles Dickens, who wrote big, involved novels in monthly installments,” he said in a statement, “and I wanted to find out what it was like. It’s a little nerve-racking.”

From The New Yorker:

So noir it’s almost pitch-black, this follow-up to Johnson’s National Book Award-winning Tree of Smoke concerns a lovable loser named Luntz—barbershop-chorus member, Hawaiian-shirt wearer, and inveterate gambler—who is in debt to an underworld bad guy. “My idea of a health trip is switching to menthols and getting a tan,” he tells Anita Desilvera, a beautiful Native American woman whom he beds after a boozy night out, and who has bad guys of her own to escape.



Tree of Smoke '07

Winner of the National Book Award for Fiction
From Amazon Editors’ review by Tom Nissley:

Denis Johnson is one of those few great hopes of American writing, fully capable of pulling out a ground-changing masterpiece, as he did in 1992 with the now-legendary collection, Jesus' Son. Tree of Smoke showed every sign of being his "big book": 600+ pages, years in the making, with a grand subject (the Vietnam War). And in the reading it lives up to every promise. It's crowded with the desperate people, always short of salvation, who are Johnson's specialty, but despite every temptation of the Vietnam dreamscape it is relentlessly sober in its attention to on-the-ground details and the gradations of psychology. Not one of its 614 pages lacks a sentence or an observation that could set you back on your heels. This is the book Johnson fans have been waiting for—along with everybody else, whether they knew it or not.


From the novel Tree of Smoke:

Viet Nam

I bought a pair of Ray Bans from the Devil
and a lighter said Tu Do Bar 69
Cold Beer Hot Girl Sorry About That Chief
Man that Zippo got it all across

Man when I'm in my grave don't wanna go to Heaven
Just wanna lie there looking up at Heaven
All I gotta do is see the motherfucker
You don't need to put me in it

Turn the gas on in my cage
I drink the poison
Send me an assassin
I drink the poison
Dead demons in my guts
I drink the poison

I drink the poison
I drink the poison
And I'm still laughin

By Denis Johnson



Train Dreams '02

Originally published in The Paris Review-Summer 2002
Selected by and published in The O. Henry Prize Stories 2003
(O Henry Awards) edited by Laura Furman:

This anthology contains Train Dreams, a novella set in the American West in the early 20th Century and the best thing Johnson has done in years.




The Name of the World '00

Nominated for the PEN/Faulkner Award for Fiction

From: Fantastic Fiction UK:

Michael Reed is a man going through the motions, numbed by the death of his wife and child. But when events force him to act as if he cares, he begins to find people who - against all expectation - help him through his private labyrinth. Poignant and beautiful, The Name of the World is a tour de force by one of the most astonishing writers at work today.



Already Dead: A California Gothic '98

From Booklist:

Johnson's northern California is a gothic land peopled by the emotionally damaged, the walking wounded, veterans of wars and drugs and drug deals gone bad; it is a coast inhabited by real spirits and lost souls, madmen and hitmen.

From Salon, by Gary Kamiya, Aug. 8, 1997:

“Without a lot of supporting evidence, Johnson refuses to despair, and his tough, compassionate vision illuminates the place where we all make our stand, or where we run, or just wait. Right here. Real Life now.”



Jesus' Son: Stories '92

From Publishers Weekly:

Taking its title from a line in Lou Reed's notorious song Heroin, ("When I'm rushing on my run / And I feel just like Jesus' son"), this story collection by with-it novelist Johnson focuses on the familiar themes of addiction and recovery.

From the Poetry Foundation:

Jesus' Son received numerous positive reviews. New York Times critic Michiko Kakutani lauded Johnson's "dazzling gift for poetic language, his natural instinct for metaphor and wordplay." The Nation reviewer Marianne Wiggins found that "reading these stories is like reading ticker tape from the subconscious."

Interestingly, Johnson, himself a recovered drug and alcohol addict, was at first reluctant to publish the collection, even though most of the stories had already appeared in various periodicals. He considered the work too autobiographical, too personal. As he remarked to a Washington Post interviewer in 1993, "The reason I wasn't publishing them is I didn't want people to say, 'Oh, look at this guy!' But I don't think we really have the right to make decisions like that. Authors should think of themselves as dead."



Resuscitation of a Hanged Man '91


Resuscitation of a Hanged Man revolves around Lenny English, a former medical instrument salesman who leaves Kansas after a failed suicide attempt and subsequently takes a job in the resort town of Provincetown, Massachusetts, as a disc jockey and private investigator.

From the Kirkus Review:

A cosmically charged fiction that combines hard-boiled theology and a redeeming wit—the perfect spiritual tonic for tough time.
From The Philadelphia Inquirer:

An utterly brilliant and original talent, a novelist who reminds us just how wonderful fiction can be.

Author photograph by Robert Miller





The Stars at Noon '86


From the Poetry Foundation:

Set in 1984 in Managua, Nicaragua, the story revolves around the activities of its self-destructive narrator—a "North American female prostitute-drifter with a press card, which has been revoked"—and her lover, referred to only as "the Englishman," who is on the run after passing Costa Rican industrial secrets to the Sandinistas.



Fiskadoro '85

From The Washington Post:

A marvelous book, beautifully written and constantly entertaining. . . . With it Johnson firmly establishes his place as one of the very best contemporary writers. He is a wonderful storyteller, and if at times Fiskadoro seems a mixture of Samuel Beckett, Phillip K. Dick and Road Warrior, that is only to his credit.

From the Poetry Foundation:

In his second novel, Fiskadoro, Johnson wrote of life after a nuclear holocaust. Set in the near future, Fiskadoro presents a world of mutants, primitive fisherman and traders.

Critics have noted a variety of influences on Johnson's work, particularly his fiction—one critic compares Fiskadoro to both Samuel Beckett's work and reggae music. In The New York Times Book Review, Johnson acknowledged an eccentric assortment of influences ranging from the writings of Robert Stone and Flannery O'Connor to the songs of Bob Dylan and the music of Eric Clapton and Jimi Hendrix. Johnson added: "Other influences come and go, but those I admire the most and those I admired the earliest . . . have something to say in every line I write."



Angels '83


From the Poetry Foundation:

Johnson followed the poetry collection The Incognito Lounge with his first novel, Angels, which tells of two desperate characters—Jamie and Bill—and their decline into crime.

"A small masterpiece... prose of amazing power and stylishness."

—Philip Roth



NON FICTION:


Homeless And High '02
by Denis Johnson

The New Yorker

Issue of 2002-04-22 and 29

http://web.archive.org/web/20051024061745/http://www.newyorker.com/printables/fact/020422fa_FACT5



Seek: Reports from the Edge of America & Beyond '01

From Publishers Weekly:

As a fiction writer and poet, Johnson is known for his surreal portraits of the dispossessed lurking at the fringes of American Life: the drifters, the jobless, the junkies and midnight DJ's. In this collection of 11 essays, which brings together pieces written over a 20-year period, he prefers to look at how those same individuals band together to form a new, often threatening identity. His America is peopled with Christian Bikers in Texas, Alaskan frontiersmen, hippies both young and old, and right-wing militia members, all striving to create a life apart from the values associated with the mainstream middle-class.

photo by Cindy Johnson




School is Out '97
By Denis Johnson

Why I Teach My Kids at Home.

Salon:

http://www.salon.com/life/feature/1997/10/01school.html




POETRY:


The Throne of the Third Heaven of the Nations Millennium General Assembly:
Poems Collected and New '95


Titled after the monumental creation of custodian James Hampton, who built the "Throne" over a period of years from junk and scraps gleaned from federal government offices. At the Smithsonian American Art Museum.

Amazon, By A Customer:

“Doubtless, Denis Johnson is an extraordinary writer of fiction: his stories and novels are terrifying, delightful, hilarious, and bleak. But it remains, even in the prose, the quality of the language, the strange otherworldly perceptions he distills to image and figure, that drives the work. Jesus’ Son is a great work, as is Angels. The other novels and stories would be enough to give him a reputation as a first rate writer. But the poems! That's where he started, and if you want to see how he got where fiction has taken him, go to the poems. It's not like any other poetry. He's a kind of dark, dwarf Rilke, a kind of misbegotten, doesn't-want-to-be-bad-but-can't-help-it Neruda.”



The Veil '87

From enotes.com:

The Veil contains cultural satire as well as self-analysis, describing strange facets of American culture while sounding like a transcript from a hallucination. As in his earlier poetry, Johnson assumes unusual points of view in this work, including the voices of a mental hospital inmate, a gas station attendant, and a drug-addicted monk. The volume consists of stylistically diverse poems marked by their vivid imagery, esoteric vocabulary, and frequent shifts from colloquial to abstract language.



The Incognito Lounge '82

From The New York Times Book Review, November 21, 2004
The Poetry Symposium by Jorie Graham:

''The center of the world is closed,'' Denis Johnson writes in the title poem of his seminal collection The Incognito Lounge: And Other Poems (Random House, 1982), ''The Beehive, the 8-Ball, the Yo-Yo, / the Granite and the Lightning and the Melody. / Only the Incognito Lounge is open.'' Although they seem random, and might have been so in the hands of a lesser poet, each of these names has crucial meaning to disclose: the wisdoms of nature, of the archaic, of chance, of mathematics, of sacred texts, of transcendent forces, of song, of the epiphanic as such, are all closed to us. The only way through this ''night'' is to go without name, without face, to go, spiritually, off the grid."

Complete Essay:


http://www.nytimes.com/2004/11/21/books/review/21SYMPOSI.html?_r=3&pagewanted=2&sq=jorie%20grahm%20on%20denis%20johnson&st=cse&scp=1



Inner Weather '76


From enotes.com:

Inner Weather is a slim collection of fifteen poems in which Johnson tempered his stylistic experiments while continuing to probe the despair of everyday individuals, including characters such as train commuters, insomniacs, divorcees, and a debt-ridden writer.



The Man Among the Seals '69

From the Poetry Foundation:

Denis Johnson's poems and novels provide candid, slice-of-life perspectives on offbeat subjects. In his first verse collection, The Man Among the Seals, published when he was 19 years old, he included poems about a man imagining an auto mishap and one speculating about the lives of two mice trapped in mousetraps.


PLAYS:


Shoppers: Two Plays by Denis Johnson '02


In 2002, Johnson published Shoppers, a collection of two of his plays, Hellhound on My Trail and Shoppers Carried by Escalators into the Flames. Both plays focus on flawed lead characters who inhabit the American West.

From Library Journal:

The author of short stories (Jesus' Son) and novels (e.g., The Name of the World), Johnson is also playwright-in-residence at the Campo Santo Theater Company at San Francisco's Intersection for the Arts.

When Shoppers Carried by Escalators Into the Flames was performed in San Francisco in 2001, The Chronicle said, There's an enormous appeal in Johnson's bleak-comic vision of a semi-mythic American West. That appeal derives from the author's perfect vision of imperfection, embodied with such energy and courage in these marvelous pieces of theatre.


Additional Material:



DVD: Jesus' Son '99

Adapted for the screen, the film was named one of the top ten films of 1999 by The New York Times, The Los Angeles Times, Roger Ebert and others.

In Alison MacLean’s movie of the book, Johnson plays the patient with the eye wound:


DEnis Johnson



DVD: HIT ME '96

An Amazon list author:

A film noir adaptation of Jim Thompson's A Swell-Looking Babe, with a script by Johnson. Pretty good. Features one of Elias Koteas’ best performances.



CD:
Inhabiting the Ball by Jim Roll '02

From All Music Guide by Matt Fink:

“This album features songs co-written with two of Roll's favorite modern authors, Dennis Johnson (Jesus' Son) and Rick Moody (The Ice Storm) and was very well-received. It was named in the top ten on Amazon editors' Best of 2002 rock list, among others.”


Interview: San Francisco Reader '03
Andrea Clark interviews Denis Johnson:

Clark: "A recent review in the New Yorker about writing under the influence describes the whole genre of drug literature as remarkable only in its mediocrity—with one exception: Jesus' Son."
Johnson: "I was straight when I wrote that; I didn't write it under the influence. I don't know how you can. I mean, your hands get real big. How could you type? Did they say I was under the influence? I think it's silly for anyone to think you could write under the influence, but if they'd like to think that, I'd like to keep the legend alive. Maybe I was under the influence when I wrote Jesus' Son and I just didn't know it."

Denis Johnson


Interview: S.F. Weekly '03

Poet of the Fallen World

How an S.F. theater troupe helped turn a reclusive novelist into a full-fledged playwright.

http://www.radiofreemike.com/johnson.html


Denis Johnson reading at Cornell University, April 16, 2009

http://www.youtube.com/watch?v=TbdVKF-TuII&feature=related


Additional reviews in The NY Times Book Review:

http://topics.nytimes.com/topics/features/books/bookreviews/index.html?query=JOHNSON, DENIS&field=per&match=exact



OUR SADNESS

Denis Johnson 1999

There’s a sadness about looking back when you get to the end:
a sadness that waits at the end of the street,
a cigaret that glows with the glow of sadness
and a cop in a yellow raincoat who says It’s late,
it’s late, it’s sadness.

And it’s a sadness what they’ve done to the women I loved:
they turned Julie into her own mother, and Ruthe--
and Ruthe I understand has been turned
into a sadness...

And when it comes time
for all of humanity to witness what it’s done
and every television is trained on the first people to see God and
they say
Houston,
we have ignition,
they won’t have ignition.

They’ll have a music of wet streets
and lonely bars where piano notes
follow themselves into a forest of pity and are lost.
They’ll have sadness.
They’ll have
sadness, sadness, sadness.


Denis Johnson




Thanks to Jessie Dunn-Gilbert & Scott Alumbaugh,
(sea@seadogdesigns) for edit, design & support.

PDF of this post is available. email request to:
leonardgreycloud@gmail.com




Wednesday, April 02, 2008

A Week In The Desert


i started out on my birthday, and drove down to bakersfield, where i saw merle at the fox theater and then headed east for a week in the desert.


febuary 13th, 2008 bakersfield, ca

2/14/08-the front page of The Bakersfield Californian

that afternoon, before the concert, there was a dedication ceremony for the hag. he doesn't look too happy about it-does he? merle haggard is the bomb! as my brother marty said: "he is a master. all-time supermaster." russell said he always plays kern river when he drives up from L.A.

thanks for the show russell, "i thought about you."


click on pictures to enlarge



kern river bank / near lake isabella, ca

once, kay & lucy & i spent an afternoon boldering here on our way back from death valley. i remember kay sitting on the rocks and drawing. she said the other day it was because her knee was bad. now it's my bad knee that keeps me up here looking down at the river.




kern river bank-2







kern river bank-3






route 178 east of lake isabella, ca

heading east out of town. got stopped for speeding but the cop let me off with a warning. i was wearing the death valley cap that jim gave me for my birthday, so that must be why.





route 178-2

there's a cow in there for jessie.





kelso depot / mojave national preserve, ca


when the east mojave scenic area became part of the national park service, the ranger station was in a little room beneath the world's tallest thermometer in baker. now they've restored the old kelso depot and moved the ranger station down there.




kelso depot / postcard





kelso dunes

mojave national preserve, ca

leonard and i spent most of our time in the east mojave before it became a national park. off leash & on the loose. there were a lot of cows & desert rats & dirt roads. now there's a lot more tourists, which is good i guess. . .or not.





leonard's grave site / in the baker hills

mojave national preserve, ca

we always stayed at the bun boy motel across from the mad greek in baker. leonard liked to sit out by the front door and watch all the people going into the quick stop next to the parking lot. i sat at a table pulled up in front of the sliding back door, looking out at route 15 and the baker hills on the other side of the highway. we'd go over and climb those hills. leonard would start slipping near the top, so he'd lie down and wait for me.



baker, ca / postcard


—Gateway to Death Valley—
"the world's tallest thermometer towering 134 feet. the height symbolizes the u.s. record set in nearby death valley on july 10, 1913."

crossroads of the mojave. route 15 from southern california to las vegas. kelbaker road south to the mojave preserve, joshua tree and the salton sea—and the beautiful route 127 north to tecopa hot springs, shoshone and death valley.




cloud shadow on route 127 from baker to shoshone


the only ride more beautiful than the road from baker to shoshone is the same road going back down to baker.





route 127 from shoshone to baker






rv campground / tecopa hot springs, ca


from the journal-american:

drinking my morning coffee and the green tortoise pulls up. a lot of weary looking travelers wandering around. i remember carol's stories about her trip across country in the old green tortoise. everybody sleeping on the floor and making out and breakdowns and waiting for repairs. the new buses look a lot slicker now. i'm hoping terri will show up at the baths this morning so i can find out where her campsite is. the baths used to be free but some corporation bought the place and now they charge $5 a day. everybody's very upset about it. the campground used to cost $10 and now it's $12, including the baths, so it's not much different for me, but for all the snowbirds camped out in the desert, it's huge. leonard and i once climbed up that big hill across from the campground. we were just sitting around like this, drinking our morning coffee and i said: let's go climb that hill leonard, and we did.

2/15-6:30am






badwater road / death valley national park

driving north from shoshone. this is my favorite road into death valley.





sunset at sunset rv overload

death valley, ca

president's day weekend and all the campgrounds were full, but the overload had room. surrounded by huge bus sized campers & no picnic tables so i'm writing a letter to jess with my mac sitting on the back bumper of the big red. they have WIFI over at the furnace creek ranger station. after sending the letter, i ate the worst meal ever, at the coffee shop. . .don't ask.




moonrise / pahrump, nv

stopped off for a little blackjack before heading over to dodge city.





terri's campsite at dodge city

in the hills between tecopa hot springs and shoshone ca

terri and her dog, thyme, set up camp here for a few weeks every winter. their yurt back in colorado is pretty much snowed in. terri said that a lot of hippies used to camp in these hills and that's when it became known as dodge city. they cleared everybody out a few years ago but she still always camps around here. finding her off-road campsite was quite a challenge.





breakfast at dodge city

terri making the coffee.




sunrise at dodge city







coyote at dodge city

a young coyote comes around and watches them every morning. thyme used to bark at her but he didn't seem too interested when i was there. she sits on the ridge above the campsite and then crosses over to another ridge and watches us.





sunrise from zabriski point


that's telescope peak where the sun first hits. it's the highest peak in death valley. from dantes view, you look across at telescope and, on a clear day, at the sierra nevada mountains beyond. directly below is badwater, so you're looking at both the highest and the lowest places on the continent.




sunrise from zabriski point-2






sunrise from zabriski point-3


the great thing about national parks is the access it gives to people who can't really get into the wild. you can drive right up to the edge at dantes view and you can get to zabriski point in a wheelchair. people who complain about paved trails should be taken out and shot in the knee.





wildflowers / death valley, ca

on the road to stovepipe wells.




wildflowers-2 / death valley, ca


yellow linanthus

linanthus aureus—for sissy—wish you were here to see this with me.





stovepipe wells / death valley, ca

spent the night here in a warm room with a shower & a table. pretty luxurious after being confined to the big red through some long cold nights. the WIFI was down but they have a "club room" with a couch & TV. —ah, wilderness— i was asleep by 9:30, after sitting out on the porch, watching a couple of wireless model airplanes circling way up overhead. i thought they were real planes at first, but finally figured it out.





route 190 to the panamint valley

leaving death valley, heading west toward lone pine & mount whitney.





the panamint springs road

you can almost see the panamint springs resort where the road goes into the hills. in january when jim & jessie were on their desert trip, jim sent me an email on his iPhone from there. the cell was out of range but they have WIFI so he could email. i used to need phone cards to check in with pilar at home. now the 21st century traveler only needs an iPhone. . .how cool is that?





panamint butte / leaving death valley

". . . We simply need the wild country available to us, even if we never do more than drive to it's edge and look in. For it can be a means of reassuring ourselves of our sanity as creatures, a part of the geography of hope."
Wallace Stegner

The Place No One Knew: Glen Canyon on the Colorado by Eliot Porter





the east sierras from route 190







the sierra nevada mountains

roadside rest stop on route 395

leonard was born in these mountains at the kings canyon lodge. i always think of him when i'm driving on 395, especially in the winter because he loved running around in the snow. i thought about taking his ashes down to kings canyon but we only went back there once, on a trip with ellen, when he got to play with his sister. mostly i remember him in the east mojave and the baker hills and at tecopa. so a week in the desert is always a week with leonard.




sunset in the sierras / on the road


heading north to south lake tahoe where i stopped in at harrah's for a little more blackjack. wandered around till i found a $5-single deck table, bought $50 worth of chips, ordered a coffee and settled in. the chips were gone in about 15 minutes and i fled before my coffee had even arrived—got back in the big red and drove on home. up and over the mountains through a little snow and a lot of rain. 13 hours from panamint springs to rutherford.

at midnight, in placerville, a stop at denny's for sentimental reasons and the coffee i never did get back in tahoe. it was just me and some guys sitting in a back booth singing "my wild irish rose" in 4 part harmony, very softly, so you could barely hear them. "well, i think i can make it home now," i said to the waitress. "oh i certainly hope so," she answered. . .on the road.




early evening / mono lake, ca

mono lake was the most beautiful shade of blue but it was too dark to get the color. mono lake and owens lake are both miraculous to me. all that beautiful water back again, after it had been stolen away. we used to have a "save mono lake" bumper sticker on our pickup truck back in the 70's, and damned if they didn't do it. owens lake was once so large that it went all the way over to death valley. then for years it was just a big empty dust bowl. now it has water again too.

power to the people—right on!!





late evening / mono lake, ca


i didn't want to leave, but it was getting dark and cold and i still had the mountains to cross before the snow started.

thanks to all the people who gave me the $$ to take this great birthday trip, and encouraged me to go, even when i was so sad that our friend bill had just died. thanks to jim & jessie—the best kids in the world—and sissy, my sweet baby sister, and my friends, russell & pilar & kay & ellen. i love you all. . .as bill would say.

and thanks to bill, who spent his life changing the world for us and making it ever more beautiful.
i don't know how we'll carry on without you bill, but i guess it's like beckett said: "i can't go on. . .i'll go on."




bill wolf's website

Friday, March 07, 2008

Cowboy Gasoline



photo by the author of cowboy gasoline
A Transcontinental Odyssey to the Dysfunctional Appendage of North America: Cowboy Gasoline in the Eye of the Storm (the first Boing Boing ebook)


on the road with cowboy gasoline

i'd rather be on the road than anywhere else. the older i get the less i'm out there but it's still where i want to be. by the time jack's book came out in '57 i had already hitch-hiked up & down the east coast about as much as i could stand to and was driving a '51 powder blue pontiac instead. it wasn't on the road that got me on the road, it was some kind of genetic restlessness. a dis-ease i've had my whole life. i just want to go - get far away from where ever i am - be going - be gone. be out there.

when i read about cowboy gasoline, i knew it was just what i needed. a writer decides to move on, loads all his goods into his pick up truck and heads down the hiway - into the eye of the storm.
perfect !

click on the title above to go to mark frauenfelder's article about the book , how to buy a PDF version for $1.50, two reviews (including one by sk) & a free excerpt.

i was just on the road again and now i'm back home reading the on the road scroll.

life is a trip, isn't it?

Monday, August 15, 2005

My Summer Vacation


Oregon coast 7 a.m. Aug 7

spent the first day getting to the top of california. (why the bay area is considered northern california, i'll never understand.) slept in the "big red" explorer, woke up at 6 and stopped at the first beach in oregon to make coffee.


Garibaldi Oregon Aug 8

i spent the night here. i think it was the same town i stayed in when i was working at the tillamook job corps center in '65.


Cannon Beach Oregon Aug 8

lunch break overlooking the ocean.


Camp Site Cape Disappointment State Park Washington Aug 8

this is where the columbia river flows into the pacific ocean. it's where lewis & clark reached the west coast but the name comes from an earlier expedition.


Beach near campsite Cape Disappointment Washington Aug 8


Camp Stove Breakfast Cape Disappointment Aug 9


Logging Trucks Washington Aug 9

the only bad news on this trip was the clear cuts and the trucks loaded with dead trees. i didn't take any pictures of the clear cuts, i tried not to look at them.


Sky Gilbert Bainbridge Island Washington Aug 11

sky is jessie's nephew,* although his dad robby and i call him my grand-son. i haven't seen them in 3 years so it was a treat to hang out with them. they live in a great old house in the woods with an assortment of birds & animals. sky has a pet rat. he had a pet fly for a few hours, but unfortunately, the cryogenic experiment failed.


Georgia Gilbert Bainbridge Island Washington Aug 11

georgia is jessie's neice. she lives in a house in town with her grandmother, marilyn. she had just returned from a visit to japan as an exchange student. she is teaching sky video games.


Motel Room Ceiling Roseburg Oregon Aug 12

the hardest day of the trip was driving down route 5 from seattle. it was bumper to bumper until way past portland. i hung out in a mcdonalds parking lot for a while and called jess to complain. i was so exhausted by the time i got into the room i fell on the bed and took this shot and e-mailed it to her, so she'd know i made it ok.


Crater Lake National Park Oregon Aug 13

jim neu told me to be sure and go to crater lake and i'm glad i did. the drive there was beautiful and the park was great. national parks may be the only thing we got right in this crazy country.


Mount Shasta California Aug 12

back home in california after a lazy day's drive through the farm country of southern oregon. i spent the night in the town of shasta, which i immediately fell in love with and am going to move to as soon as possible.

this is a sacred mountain.

kay told me that chagdud rimpoche had told her that mount shasta had monkey protectors and only the most sacred places have them.

all of these photos were taken with my latest toy, the razr-v3. i e-mailed a lot of them during the trip, with this amazing phone. life is strange but ya gotta love it.

*a PDF chart of jessie's family tree will be sent upon request.